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jueves, 9 de enero de 2014

JEAN SIMON BERTHÉLEMY

                                                      
                                                                                                       Jean-Simon Berthélemy


Jean-Simon Berthélemy (5 March 1743 – 1 March 1811) was a French history painter who was commissioned to paint allegorical ceilings for thePalais du Louvre, the Luxembourg Palace and others,[1] in a conservative Late Baroque-Rococo manner only somewhat affected by Neoclassicism.
File:Alexander cuts the Gordian Knot.jpg

Berthélemy was born in LaonAisne, the son of a sculptor, Jean-Joseph Berthélemy,. He trained in the atelier of Noel Hallé, a professor at theAcadémie royale de peinture et de sculpture and made his first reputation in the 1760s; after reaching second place in 1763, he won the Prix de Romeof the Académie in 1767. An early commission was for a suite of decorative paintings under the direction of the architect Jean-Gabriel Legendre for the Hôtel de l'Intendance de Champagne at Châlons-sur-Marne, of which the artist only completed six overdoors, much in the manner of François Boucherand delegated the rest of the commission to a fellow pupil at the Académie.[2]

Berthélemy's master Hallé provided cartoons for the royal tapestry manufacture of the Gobelins, where he was appointed superintendent in 1770; Berthélemy was called upon to provide cartoons for the weavers as well. His Death of Etienne Marcel (1783) of which the oil sketch survives, was woven in the series Histoire de France.[3]


Berthélemy was an esteemed painter in his day, chosen to join the entourage accompanying Napoleon's campaign in Italy, where he was among the experts assigned the task of selecting works of art to be transferred to Paris under terms of the Treaty of Tolentino, February 1797. He died in Paris. When two monographs on Berthélemy were published in 1979,[4] Philip Conisbee, reviewing them in The Burlington Magazine,[5] observed drily, "Two monographs on Berthélemy is overkill for a painter who could have been dispatched with a single substantial article. The French academic system of art education in the eighteenth century, backed up by the stimulus of church and state patronage, was so efficient and rigorous that even an average talent could be sufficiently conditioned to produce a handful of decent history-paintings, which are sometimes minor masterpieces."

bacante jugando a los platillos
júpiter y antíope
júpiter y antíope II
bacante
la muerte del gladiador
alejandro corta el nudo gordiano
torcuato manilius condena a su hijo
la decapitación de ciro
los burgueses de calais
la creación de prometeo en presencia de atenea


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